Swift, deadly and affordable, Jackson JS Series guitars take an epic leap forward, making it easier than ever to get classic Jackson tone, looks and playability without breaking the bank.
The JS Series Dinky™ Arch Top JS32 DKA-M features a poplar body with a beautiful quilt maple arched top, bolt-on maple neck with graphite reinforcement and scarf joint for rock-solid stability. Hosting 24 jumbo frets and sharkfin inlays, the 12”-16” compound radius maple fingerboard gradually flattens toward the heel from its more rounded profile at the nut. This makes for comfortable and natural-feeling chording and riffing near the nut, with optimal shred articulation and bending nearer the heel.
Powered by direct mount dual Jackson high-output humbucking pickups with ceramic magnets, the JS32 DKA -M also features a three-way blade switch, single volume and tone controls, Jackson-branded Floyd Rose® licensed double-locking tremolo bridge, standard strap buttons and sealed die-cast tuners.
Available in Gloss Black or Snow White with all-black hardware.
One-Piece Bolt-On Maple Neck with Graphite Reinforcement and Scarf Joint
A type of neck constructed with a scarf joint for an angled back headstock, which in turn increases the tension behind the nut eliminating the need for string trees and/or string retainer bars. The bolt-on neck joins the neck to the body of the guitar with screws or bolts, allowing for more control, attack and sustain.
Neck Material Maple Neck Construction Bolt-On with Graphite Reinforcement and Scarf Joint Neck Finish Satin Neck Binding White Scale Length 25.5" (648 mm) Fingerboard Radius 12"-16" Compound Radius (304.8 mm to 406.4 mm) Fingerboard Material Maple Number of Frets 24 Fret Size Jumbo Nut Width 1.6875" (42.86 mm) Position Inlays Black Sharkfin Truss Rod Nut Truss Rod Adjustment at Nut Headstock Binding White Headstock Jackson® Pointed 6-In-Line Neck Plate Jackson®
12" -16" Compound Radius Maple Fingerboard
This model features a maple fingerboard with an innovative 12"-16" compound radius design, in which the fingerboard gradually flattens toward the heel from its more rounded profile at the nut. This makes for comfortable and natural-feeling chording and riffing near the nut, with optimal shred articulation and bending nearer the heel.